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The course presents all twenty-two “fables” of Robert Louis Stevenson, some as short as a few lines, others running to several pages, all of them challenging the reader with unexpected approaches to human life. We will read all the fables in six weeks, coming together on Zoom to share responses and questions, examine the literary merits and explore the ways the fables might enhance our understanding of ourselves and others we come into contact with day by day. There are podcasts for each fable to supplement our discussions, as well as space on the Canvas site to continue the Zoom discussions.

The course presents all twenty-two “fables” of Robert Louis Stevenson, some as short as a few lines, others running to several pages, all of them challenging the reader with unexpected approaches to human life. We will read all the fables in six weeks, coming together on Zoom to share responses and questions, examine the literary merits and explore the ways the fables might enhance our understanding of ourselves and others we come into contact with day by day. There are podcasts for each fable to supplement our discussions, as well as space on the Canvas site to continue the Zoom discussions.

Enhance your storytelling ̨��swag with our Short Story Workshop. Learn the art of crafting compelling short stories through practical exercises and expert guidance. Ideal for writers of all levels looking to refineIn this course students will explore the art of short story writing, focusing on the fundamental elements that make a compelling narrative. Through guided exercises, discussions and peer feedback, participants will learn how to develop characters, craft engaging plots, build vivid settings and experiment with narrative voice and structure. By the end of the course students will complete a polished short story, showing structure and plot effectively and gain practical ̨��swag for refining their storytelling craft. This is a friendly and supportive Writing Workshop where learners are able to receive feedback each week on the previous week's Homework writing assignment. their short fiction writing abilities.

This course will range from the beginning of the twentieth century until its end, and explore the wealth of short stories written during this period by women. We will encounter the usual suspects such as Katherine Mansfield, Virginia Woolf, Elizabeth Bowen and Doris Lessing, but the course will also assess the stories of less well-known writers, many of whom are worthy of much deeper study. These writers will emerge from Wales, Scotland and Northern Ireland. As all our texts are by women, we will discover the importance of these voices, often disappeared in a patriarchal society, and recognise how vital these women’s voices were and are.

Chekhov found the nineteenth century novel form too ponderous: he wrote fiction, not novels, and everything he wrote, even in his teenage years, was rushed into publication. Through this single volume selection of his stories we explore the power of this meteoric phenomenon. NB the title of this course is a book title, and access to this book, translated by Richard Pevear and Larissa Volokhonsky, published by Penguin and Vintage, is a necessary starting-point. We shall divide the book into roughly equal sections and study them week by week. Mostly the stories will be read in preparation for the classes, and the central activity of the course will be our own appraisal, through close discussion, of the meaning and suggestion of the individual stories, both as this affects us and as it may have affected the original reader. Since the stories are chronologically arranged, this will allow us a broad focus on Chekhov's development as a writer of prose narrative.

The purpose of this course is to aid you in finding the confidence and inspiration to get writing, using photographs as stimulus to creating original writing and developing creative ̨��swag. Using your own photography, we will create a unique piece of writing which can be fact or fiction. You will learn some handy tips and tricks to really bring out the writer in you!

With a series of sessions all designed to help you discover/rediscover and develop your own new and/or existing story ideas - be these a short story, a novel - or if you just aren't sure or even started writing yet. The return of this fun, friendly and structured approach to aid you in finding inspiration, putting pen paper and get writing as we let fate guide us! We let the 'hand of fate' take us on a fresh approach to finding & maintaining that vital spark of inspiration, motivation to write fiction. A spin of the wheel will decide the subject area, theme or tasks for the week in a fun and friendly chance to meet and share ideas with others, exploring useful tricks and tips - whilst importantly gaining some quality information, developing some genuine writing ̨��swag and getting writing!

Practice techniques for creating short stories, true or untrue. We'll apply the principles of short fiction to our writing, with the focus this term on creating and developing character. There will be writing exercises, discussions, an optional weekly homework task and feedback. Guidance on feedback techniques will be provided. The course content has flexibility, and will be adapted to suit the needs of the group. Suitable for improvers.

A fun, friendly and structured approach to our develop fiction writing knowledge, ̨��swag and importantly aid you in finding inspiration, putting pen paper and getting writing. Whatever you might like to write or already enjoy writing, be it short stories, longer tales, mystery, crime, a touch of the gothic or whatever takes your interest - there will be a plot to suit your idea and/or help you find inspiration and take it further. Find inspiration as we consider the how a different plot may aid with a specific theme or topic, the development of characters and your choice of words and description. This course will make use of a mix of informal feedback, lecture using PowerPoint slides, some focused group discussion/creative tasks in smaller breakout groups and feedback. Session by session we examine a different ‘plot’ and apply some creative craft to it, might it yield the perfect motivation for a crime, is three a secret a character wishes to keep? What kind of story suits a particular plot – flash fiction, a cautionary tale or a longer and more complex tale? We examine the varied forms and approaches, how have others approached similar tales and what might work best for us now. Suitable for the curious beginner and/or the seasoned scribbler.

Practice techniques for creating short stories, true or untrue. We'll apply the principles of short fiction to our writing, with the focus this term on character creation. There will be writing exercises, discussions, an optional weekly homework task and feedback. Guidance on feedback techniques will be provided. The course content has flexibility, and will be adapted to suit the needs of the group. Suitable for improvers.